Because Fixed effects are already built in to each clip, you need only adjust their properties to activate them. Premiere Pro renders Fixed effects after any Standard effects that are applied to the clip.
Standard effects are rendered in the order in which they appear, from the top down. If you want to change the render order of Fixed effects, use Standard effects instead.
Use the Transform effect in place of the Motion effect. Use the Alpha Adjust effect in place of the Opacity effect, and the Volume effect in place of the fixed Volume effect. While these effects are not identical to the Fixed effects, their properties are equivalent. Standard effects are additional effects that you must first apply to a clip to create a desired result. You can apply any number or combination of Standard effects to any clip in a sequence.
Use Standard effects to add special characteristics or to edit your video, such as adjusting tone or trimming pixels. Premiere Pro includes many video and audio effects, which are located in the Effects panel. Standard effects must be applied to a clip and then adjusted in the Effect Controls panel.
Certain video effects allow direct manipulation using handles in the Program Monitor. All Standard effect properties can be animated over time using keyframing and changing the shape of the graphs in the Effect Controls panel. The smoothness or speed of the effect animation can be fine-tuned by adjusting the shape of Bezier curves in the Effect Controls panel. The effects listed in the Effects panel depend on the actual effect files in the language subfolder of the Premiere Pro Plug-ins folder.
You can expand the repertoire of effects by adding compatible Adobe plug-in files or plug-in packages available through other third-party developers. All video effects—both Fixed and Standard effects—are clip-based. They alter individual clips. You can apply a clip-based effect to more than one clip at a time by creating a nested sequence.
Audio effects can be applied to either clips or to tracks. To apply track-based effects, use the Audio Mixer. If you add keyframes to the effect, you can then adjust the effect either in the Audio Mixer or a Timeline panel. In addition to the dozens of effects included with Premiere Pro, many effects are available in the form of plug-ins.
You can purchase plug-ins from Adobe or third-party vendors, or acquire from other compatible applications. However, Adobe officially supports only plug-ins that are installed with the application.
Any effect is available to Premiere Pro when its plug-in file is present in the common Plug-ins folder:.
Using the installer for a plug-in is the best way to make sure the plug-in and its related files are installed in the right place. For a current list of third-party plug-ins, see the Adobe website.
To edit a project containing add-on plug-ins on more than one computer, install the plug-ins on all the computers. For these effects, playback would be in real time and doesn't require rendering. Acceleration is available for an accelerated effect only when a supported video card is installed. If a supported video card is not installed, the Accelerated Effects filter button still functions. The Accelerated Effects badge is shown in a disabled state to indicate that acceleration is not available.
Premiere Pro includes some video effects and transitions that support high-bit-depth processing. When applied to high-bit-depth assets, such as vformat video and bit-per-channel bpc Photoshop files, these effects can be rendered with 32bpc pixels. The result is better color resolution and smoother color gradients with these assets than would be possible with the earlier standard 8 bit per channel pixels. A bpc badge appears to the right of the effect name in the Effects panel for each high-bit-depth effect.
To enable high-bit-depth rendering for these effects, select the Maximum Bit Depth video rendering option in the New Sequence dialog box. If you place an 8-bpc effect into a sequence that contains a bpc effect, Premiere Pro renders all the effects in the sequence at 8 bits. The pixel values are never converted to RGB, and there is no unwanted color shifting.
Standard effects are listed in the Effects panel and are organized into two main bins, Video Effects and Audio Effects. Within each bin, Premiere Pro lists effects by type in nested bins. For example, the Blur and Sharpen bin contains effects that defocus an image, such as Gaussian Blur and Directional Blur. You can also use the filters in the Effects panel to sort filters based on whether they are Accelerated, bit Color, or YUV effects.
Drag effects to the Custom bin. A copy of the effect is listed in the Custom bin. You can create more Custom bins, which are numbered. Click the Delete Custom Items button. Use the following filters to quickly check whether an effect is accelerated, bit, or a YUV effect. Legal Notices Online Privacy Policy. Buy now. User Guide Cancel.
Types of effects. Fixed effects Standard effects Clip-based or track-based effects Effect plug-ins Effects in Premiere Pro are also grouped into the following categories for better searchability. GPU-Accelerated effects bit Color effects YUV effects When you toggle one of these buttons on, only effects and transitions of its type are shown in the list of effects below.
Read on for more information on all the different types of effects. Fixed effects. The Fixed effects include the following: Motion Includes properties that allow you to animate, rotate, and scale your clips, adjust their anti-flicker property, or composite them with other clips. Opacity Lets you reduce the opacity of a clip for use in such effects as overlays, fades, and dissolves. Time Remapping Lets you slow down, speed up, or reverse playback, or freeze a frame, for any part of a clip.
Volume Controls the volume for any clip that contains audio. The Track Matte Key effect creates transparent areas in a clip that correspond to the luminance levels of another clip.
Transparent areas reveal the image produced by clips in lower tracks. You can use the Track Matte Key effect to blur and obscure faces, license plate numbers, or other identifying features. Television programs use this effect to protect the identities of their subjects. The Basic 3D effect manipulates a clip in 3D space. You can rotate an image around horizontal and vertical axes and move it toward or away from you.
With Basic 3D, you can also create a specular highlight to give the appearance of light reflecting off a rotated surface. The light source for the specular highlight is always above, behind, and to the left of the viewer. Because the light comes from above, the image must be tilted backward to see this reflection. Specular highlights can enhance the realism of the 3D appearance.
The Drop Shadow effect adds a shadow that appears behind the clip. The Alpha Glow effect adds color around the edges of a masked alpha channel. You can have a single color either fade out or change to a second color as it moves away from the edge. The Brush Strokes effect applies a rough painted look to an image. You can also use this effect to achieve a pointillist style by setting the length of the brush strokes to 0 and increasing the stroke density.
Although you specify the direction of strokes, they are scattered randomly by a small amount to give a more natural result.
The Emboss effect sharpens the edges of objects in the image and suppresses colors. The effect also highlights the edges from a specified angle. The Find Edges effect identifies the areas of the image that have significant transitions and emphasizes the edges.
Edges can appear as dark lines against a white background or colored lines against a black background. If the Find Edges effect is applied, images often look like sketches or photographic negatives of the original. The Mosaic effect fills a clip with solid-color rectangles, pixelating the original image.
This effect is useful for simulating low-resolution displays and for obscuring faces. You can also animate it for a transition. The Posterize effect lets you specify the number of tonal levels or brightness values for each channel in an image. The Posterize effect then maps pixels to the closest matching level. For example, choosing two tonal levels in an RGB image gives you two tones for red, two tones for green, and two tones for blue.
Values range from 2 to The Replicate effect divides the screen into tiles and displays the whole image in each tile. Set the number of tiles per column and row by dragging the slider. It gives rasterized text or graphics a naturally rough look, like that of eroded metal or typewriter text. The Strobe Light effect performs an arithmetic operation on a clip or makes the clip transparent at periodic or random intervals. The Echo effect combines frames from different times in a clip.
The Echo effect has a variety of uses, from a simple visual echo to streaking and smearing effects. The results of this effect are visible only if the clip contains motion. By default, any previously applied effects are ignored when you apply the Echo effect.
The Posterize Time effect locks a clip to a specific frame rate. Posterize Time is useful on its own as a special effect, but it also has more subtle uses.
For example, field video footage can be locked to 24 fps and then field rendered at 60 fields per second to give a filmlike look. This effect is sometimes called Strobe in hardware devices. Animating the value of the Frame Rate slider can give unpredictable results. For this reason, the only interpolation method allowed for the frame rate is Hold.
The Edge Feather effect lets you vignette the video in a clip by creating a soft black border on all four sides. The border width is controlled by entering an Amount value. The Horizontal Flip effect reverses each frame in a clip from left to right; however, the clip still plays in a forward direction. The Block Dissolve effect makes a clip disappear in random blocks. The width and height of the blocks, in pixels, can be set independently.
The Gradient Wipe effect causes pixels in the clip to become transparent based on the luminance values of corresponding pixels in another video track, called the gradient layer.
Dark pixels in the gradient layer cause the corresponding pixels to become transparent at a lower Transition Completion value. For example, a simple grayscale gradient layer that goes from black on the left to white on the right causes the underlying clip to be revealed from left to right as Transition Completion increases. The gradient layer can be a still image or a moving image. The gradient layer must be in the same sequence as the clip to which you apply Gradient Wipe.
You can create gradient layers in many ways, such as using the Ramp effect or creating them in Photoshop or Illustrator. The Cineon Converter effect provides a high degree of control over color conversions of Cineon frames. To use the Cineon Converter effect, import a Cineon file and add the clip to a sequence. You can then apply the Cineon Converter effect to the clip and precisely adjust the colors while interactively viewing the results in the Program monitor.
Set keyframes to adjust for changes in tone over time—use keyframe interpolation and ease handles to precisely match the most irregular lighting changes, or leave the file in its default state and use the converter.
The 10 bits of data available in each Cineon channel for each pixel make it easier to enhance an important range of tones while preserving overall tonal balance. By carefully specifying the range, you can create a version of the image that faithfully resembles the original. SDR conform is also available in the Effects tab of the Export settings. Additive Dissolve adds the color information from clip B to clip A, and then subtracts the color information of clip A from clip B.
Cross dissolve can also work well at the beginning or end of a clip when you want to fade in or out from black. The cross dissolve transition may work better for this. Dither Dissolve fades clip A to clip B using a dithering algorithm. You can specify any of the following options:. The Film Dissolve transition blends in a more realistic way; basically, dissolves look the way that they should.
Legal Notices Online Privacy Policy. Buy now. User Guide Cancel. Navigate through the different effects documented on this page using:. Adjust effects. Lighting Effects. Blur and Sharpen effects. Camera Blur effect Windows only. Directional Blur effect. The Directional Blur effect gives a clip the illusion of motion. Gaussian Blur effect. Reduce Interlace Flicker. Original left , and with effect applied right. Channel effects. Invert video effect. The Invert video effect inverts the color information of an image.
Color Correction effects. Distort effects. Corner Pin effect. Lens Distortion effect. The Lens Distortion effect simulates a distorted lens through which the clip is viewed. Magnify effect. Mirror effect. The Mirror effect splits the image along a line and reflects one side onto the other. Spherize effect. The Spherize effect distorts a layer by wrapping a region of the image onto a sphere. Transform effect.
Turbulent Displace effect. Twirl effect. Wave Warp effect. Offset effect. Generate effects. Lens Flare effect. Lightning effect. Ramp effect. Image Control effects. Color Pass effect. Color Replace effect. Gamma Correction effect. Keying effects. Alpha Adjust effect. Color Key effect. Luma Key effect. Track Matte Key effect. Chromakey with the Ultra Key effect.
Apply Ultra Key to a clip or clips. In the Timeline, place the current-time indicator over a frame containing a key color. In the Effect Controls panel, select the desired options from the Output and Setting menus. Do one of the following:. Click the Color Picker box to open the Color Picker. Then select a key color and click OK. Click the Eye Dropper, and select a key color. Set the other parameters as desired. Ultra Key effect parameters.
Matte Generation. Matte Cleanup. Mid Point. Spill Suppression. Color Correction. Controls the hue. Difference Matte effect. Replace a static background with Difference Matte. The following Difference Matte settings are adjusted in the Effect Controls panel:. Specifies the track to be used as the matte. Specifies whether to center the foreground image or stretch it to fit. Specifies the degree to which the matte must match the foreground in order to be keyed.
Specifies the degree of softness at the edges of the matte. Specifies the degree of blur added to the matte. Find a frame of your foreground clip that consists only of the static background. You will use this frame as a matte. Save this frame as an image file. It will appear in the Project panel. Drag the matte frame from the Project panel to a video track in a Timeline panel. Drag the clip you want to use as the background to a track in a Timeline panel above the matte frame. Place the video clip you wish to use in the foreground on a track in a Timeline panel above the background clip.
Click the Toggle Animation icons for the settings you adjust. In the Effects panel, expand the Video Effects bin and then the Keying bin. Drag the Difference Matte effect onto the foreground video clip. In the Effect Controls panel, click the triangle next to Difference Matte to expose its controls.
From the Difference Layer drop-down menu, select the track that contains the matte frame. Adjust the other settings as needed to achieve the desired effect. Image Matte Key effect.
Define transparent areas with Image Matte Key. Add the clip used as a background to a video track in a Timeline panel. Add the clip you want to superimpose to any track higher than the track containing the background clip.
This is the clip revealed by the track matte. Be sure the superimposed clip overlaps the background clip in a Timeline panel. In the Effects panel, click the triangle to expand the Video Effects bin and then click the triangle to expand the Keying bin. Drag the Image Matte Key to the superimposed clip in a Timeline panel.
In a Timeline panel, select the superimposed clip. Click the Setup button , browse to the image being used as the matte, and then click Open to select the image. Click the Composite Using menu and choose one of the following:.
Matte Alpha. Composites the clips using the alpha channel values of the image matte you selected in step 7. Matte Luma. Composites the clips using the luminance values of the image matte you selected in step 7. Optional Select the Reverse option to swap the areas that are opaque and transparent. Non Red Key effect. Mask Only. Remove Matte effect. Remove a black or white matte. In a Timeline panel, select the clip containing the matte you want to remove.
Drag the Remove Matte effect to the clip containing the matte. Click the Toggle Animation icon next to the Matte Type setting. Choose either White or Black for the Matte Type setting. Move or change the transparent area with Track Matte Key. You can create mattes in various ways:. Add the background clip to a track in a Timeline panel. Optional If the superimposed clip is a still image, do one of the following:. Add an opacity key to the superimposed image, Insert the still image into another sequence, and superimpose the sequence containing the still image over the track containing the background clip.
Add the track matte clip to a third track above the tracks with the background and superimposed clips. Drag the Track Matte Key to the superimposed clip. In the Effect Controls panel, click the triangle next to the Track Matte Key name to expand its settings. Click the Matte setting menu with the down-pointing triangle and choose the video track containing the track matte clip. Click the Toggle Animation icons of the settings you want to adjust. Optional Select the Reverse option to invert the values of the track matte clip.
Perspective effects. Basic 3D effect. Drop Shadow effect. To render the shadow without the image, select Shadow Only. Stylize effects. Alpha Glow effect. Brush Strokes effect. Color Emboss effect. Emboss effect. Find Edges effect. Mosaic effect. Posterize effect. Replicate effect. Roughen Edges effect. Strobe Light effect. Time effects. Echo effect. Posterize Time effect. Transform effects.
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